The fourth-quarter curriculum for November 18:
--The situations in Dallas, Minnesota, and Washington get scrutinized to determine whose is the most dysfunctional in the NFL. The "Mike Shanahan = racist" theory gets checked for holes, as well.
--Scott, Bobby, and Dylan weigh in on whether they would have extended Donovan McNabb's contract...especially for five years.
--Scott shares the official all-time ranking of Michael Vick's spit-roasting of the Redskins.
--After an unfortunate false alarm, the 4Q crew actually DOES get its first-ever listener call-in. The caller also has a comment about McNabb's past and future.
--In the Epic Fails, Dylan gets on Chiefs coach Todd Haley for leaving Josh McDaniels hanging post-game, and Bobby gets on a defensive back having the worst possible luck on a deflection. Scott's Epic Fail goes to the kicker of the Pittsburgh Steelers...well, okay, the ex-kicker of the Steelers. Also, an international soccer striker keeps the receipt and returns a gift.
Excised music: "Paris (Ooh La La) by Grace Potter and the Nocturnals.
--The situations in Dallas, Minnesota, and Washington get scrutinized to determine whose is the most dysfunctional in the NFL. The "Mike Shanahan = racist" theory gets checked for holes, as well.
--Scott, Bobby, and Dylan weigh in on whether they would have extended Donovan McNabb's contract...especially for five years.
--Scott shares the official all-time ranking of Michael Vick's spit-roasting of the Redskins.
--After an unfortunate false alarm, the 4Q crew actually DOES get its first-ever listener call-in. The caller also has a comment about McNabb's past and future.
--In the Epic Fails, Dylan gets on Chiefs coach Todd Haley for leaving Josh McDaniels hanging post-game, and Bobby gets on a defensive back having the worst possible luck on a deflection. Scott's Epic Fail goes to the kicker of the Pittsburgh Steelers...well, okay, the ex-kicker of the Steelers. Also, an international soccer striker keeps the receipt and returns a gift.
Excised music: "Paris (Ooh La La) by Grace Potter and the Nocturnals.
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